{"id":17350,"date":"2026-03-27T13:13:06","date_gmt":"2026-03-27T12:13:06","guid":{"rendered":"https:\/\/diario.ansuini.com\/?p=17350"},"modified":"2026-03-27T13:13:06","modified_gmt":"2026-03-27T12:13:06","slug":"gli-strati-della-vita-nella-complessa-lettura-del-contemporaneo","status":"publish","type":"post","link":"https:\/\/www.diariomagazine.com\/?p=17350","title":{"rendered":"GLI STRATI DELLA VITA NELLA COMPLESSA LETTURA DEL CONTEMPORANEO"},"content":{"rendered":"<audio class=\"wp-audio-shortcode\" id=\"audio-17350-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/diariomagazine.com\/wp-content\/uploads\/2026\/03\/AUDIO_-GLI-STRATI-DELLA-VITA-NELLA-COMPLESSA-LETTURA-DEL-CONTEMPORANEO.mp3?_=1\" \/><a href=\"http:\/\/diariomagazine.com\/wp-content\/uploads\/2026\/03\/AUDIO_-GLI-STRATI-DELLA-VITA-NELLA-COMPLESSA-LETTURA-DEL-CONTEMPORANEO.mp3\">http:\/\/diariomagazine.com\/wp-content\/uploads\/2026\/03\/AUDIO_-GLI-STRATI-DELLA-VITA-NELLA-COMPLESSA-LETTURA-DEL-CONTEMPORANEO.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p>LUCREZIA BAZZOLO | ROMA, 27 MARZO 2026<\/p>\n<p>Cosa significa oggi <strong>esistere <\/strong>in un\u2019epoca <strong>stratificata<\/strong>, ricca di <strong>contrasti<\/strong> come quella odierna?<\/p>\n<p>\u00c8 proprio su questo e su molti altri interrogativi che indagano le appena trascorse Fashion Week di <strong>Milano<\/strong> e di <strong>Parigi<\/strong>.<\/p>\n<p>Collezioni che in passerella hanno portato riflessioni, <strong>contrapposizioni<\/strong>, facendole vivere dentro a innumerevoli corpi e <strong>ritmi<\/strong>, mantenendo l\u2019attenzione sulla <strong>centralit\u00e0<\/strong> dell\u2019uomo e sull\u2019importanza della sua <strong>essenzialit\u00e0<\/strong>.<\/p>\n<p><strong>Sartorialit\u00e0 razionale<\/strong>, geometria di una semplicit\u00e0 che non semplifica, bens\u00ec legge con <strong>profondit\u00e0<\/strong> codici estetici primordiali, <strong>austeri<\/strong>.<\/p>\n<p>Con <strong>Jil Sander<\/strong> il <strong>rigore<\/strong> di linee dritte da percorrere con ordine permette di far ritorno all\u2019<strong>origine<\/strong>, a un <strong>minimalismo<\/strong> classico che Simone Bellotti, direttore creativo del brand, traduce in look <strong>inviolabili<\/strong>, apparentemente inaccessibili poich\u00e9 <strong>saldi<\/strong>, fermi su s\u00e9 stessi.<\/p>\n<p><img decoding=\"async\" class=\"alignnone  wp-image-17354\" src=\"http:\/\/diariomagazine.com\/wp-content\/uploads\/2026\/03\/jil-sander-fw26_27-200x300.jpg\" alt=\"\" width=\"284\" height=\"426\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/jil-sander-fw26_27-200x300.jpg 200w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/jil-sander-fw26_27.jpg 683w\" sizes=\"(max-width: 284px) 100vw, 284px\" \/><\/p>\n<p><img decoding=\"async\" class=\"alignnone  wp-image-17355\" src=\"http:\/\/diariomagazine.com\/wp-content\/uploads\/2026\/03\/jil-sander-1-200x300.jpg\" alt=\"\" width=\"285\" height=\"428\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/jil-sander-1-200x300.jpg 200w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/jil-sander-1.jpg 683w\" sizes=\"(max-width: 285px) 100vw, 285px\" \/><\/p>\n<p><img decoding=\"async\" class=\"alignnone  wp-image-17356\" src=\"http:\/\/diariomagazine.com\/wp-content\/uploads\/2026\/03\/jil-sander-200x300.jpg\" alt=\"\" width=\"286\" height=\"430\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/jil-sander-200x300.jpg 200w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/jil-sander.jpg 683w\" sizes=\"(max-width: 286px) 100vw, 286px\" \/><\/p>\n<p><em>(<\/em><em>Jil Sander, Milan Fashion Week, Fall Winter 2026\/2027)<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>Riprendendo l\u2019austerit\u00e0 e il <strong>brutalismo milanese<\/strong>, Louise Trotter, direttrice creativa di <strong>Bottega Veneta<\/strong>, crea una storia evocativa e sensuale, una sensualit\u00e0 che esprime la sua vera natura attraverso la <strong>sott<\/strong><strong>razione <\/strong>di elementi. L\u2019artigianalit\u00e0 che ne emerge parla di un\u2019opulente idea di <strong>praticit\u00e0<\/strong>, nella costruzione di un\u2019<strong>anatomia di codici surreali<\/strong>, in un superficiale <strong>disordine<\/strong> che in realt\u00e0 rivela una perfetta armonia.<\/p>\n<p><img decoding=\"async\" class=\"alignnone  wp-image-17357\" src=\"http:\/\/diariomagazine.com\/wp-content\/uploads\/2026\/03\/bottega-200x300.jpg\" alt=\"\" width=\"294\" height=\"441\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/bottega-200x300.jpg 200w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/bottega.jpg 683w\" sizes=\"(max-width: 294px) 100vw, 294px\" \/><\/p>\n<p><img decoding=\"async\" class=\"alignnone  wp-image-17358\" src=\"http:\/\/diariomagazine.com\/wp-content\/uploads\/2026\/03\/bottegaveneta-200x300.jpg\" alt=\"\" width=\"293\" height=\"440\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/bottegaveneta-200x300.jpg 200w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/bottegaveneta.jpg 683w\" sizes=\"(max-width: 293px) 100vw, 293px\" \/><\/p>\n<p><img decoding=\"async\" class=\"alignnone  wp-image-17359\" src=\"http:\/\/diariomagazine.com\/wp-content\/uploads\/2026\/03\/bottegafw2627-200x300.jpg\" alt=\"\" width=\"295\" height=\"443\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/bottegafw2627-200x300.jpg 200w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/bottegafw2627.jpg 683w\" sizes=\"(max-width: 295px) 100vw, 295px\" \/><\/p>\n<p><em>(<\/em><em>Bottega Veneta, Milan Fashion Week, Fall Winter 2026\/2027)<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>Come due strade che corrono separate per poi nel loro percorso scoprirsi <strong>gemellari<\/strong>, cos\u00ec nelle collezioni si mostra da un lato il ricercare un <strong>senso<\/strong> e un percorso definito, andando verso un nuovo concetto di <strong>bellezza<\/strong>, e dall\u2019altro l\u2019accogliere la difficolt\u00e0 dei nostri giorni, quotidianit\u00e0 immersa in una <strong>pluralit\u00e0<\/strong> di concetti che <strong>impoverisce<\/strong> invece di arricchire.<\/p>\n<p>Cruciale la ricerca di <strong>Prada<\/strong>, che attraverso Miuccia Prada e Raf Simons, co-direttore creativo, riesce nel tentativo di <strong>sbrogliare il nodo<\/strong> attraverso il riconoscimento della <strong>crudelt\u00e0<\/strong> della vita in cui l\u2019uomo esiste oggi, <strong>ruvido <\/strong>scorcio su un panorama <strong>sinistro<\/strong>.<\/p>\n<p>\u00c8 con questi termini che il casting dello show sfila a ritmo di suoni <strong>metallici<\/strong>, <strong>incalzanti<\/strong>, in una <strong>techno-trance<\/strong> alienante e <strong>immersiva<\/strong>.<\/p>\n<p>I look si svelano al pubblico nella <strong>molteplicit\u00e0 delle vite<\/strong> di cui parlano, nella scrittura del loro <strong>quotidiano susseguirsi<\/strong>.<\/p>\n<p><img decoding=\"async\" class=\"alignnone  wp-image-17360\" src=\"http:\/\/diariomagazine.com\/wp-content\/uploads\/2026\/03\/prada-200x300.jpg\" alt=\"\" width=\"305\" height=\"458\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/prada-200x300.jpg 200w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/prada.jpg 683w\" sizes=\"(max-width: 305px) 100vw, 305px\" \/><\/p>\n<p><img decoding=\"async\" class=\"alignnone  wp-image-17361\" src=\"http:\/\/diariomagazine.com\/wp-content\/uploads\/2026\/03\/prada-fw2627-200x300.jpg\" alt=\"\" width=\"304\" height=\"456\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/prada-fw2627-200x300.jpg 200w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/prada-fw2627.jpg 683w\" sizes=\"(max-width: 304px) 100vw, 304px\" \/><\/p>\n<p><img decoding=\"async\" class=\"alignnone  wp-image-17362\" src=\"http:\/\/diariomagazine.com\/wp-content\/uploads\/2026\/03\/prada-1-200x300.jpg\" alt=\"\" width=\"303\" height=\"455\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/prada-1-200x300.jpg 200w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/prada-1.jpg 683w\" sizes=\"(max-width: 303px) 100vw, 303px\" \/><\/p>\n<p><em>(<\/em><em>Prada, Milan Fashion Week, Fall Winter 2026\/2027)<\/em><\/p>\n<p>\u00c8 proprio seguendo questa strada che da Milano si arriva a Parigi, dove, continuando con Miuccia Prada attraverso la collezione di <strong>Miu<\/strong> <strong>Miu<\/strong>, si assiste a uno show immenso, perch\u00e9 <strong>analitico<\/strong>.<\/p>\n<p>In un soundtrack di <strong>attesa<\/strong>, di <strong>ambiguit\u00e0<\/strong> inquietante, quello che viene presentato \u00e8 il modo sorprendente di essere <strong>piccolo<\/strong> del nostro <strong>corpo<\/strong>, l\u2019importanza del sentirsi padroni solo di <strong>s\u00e9 stessi <\/strong>in un contesto che invece tenta di possedere <strong>tutto<\/strong>. Un focus sulla <strong>mente<\/strong>, valorizzando l\u2019aspetto umano pi\u00f9 <strong>intimo<\/strong>.<\/p>\n<p><img decoding=\"async\" class=\"alignnone  wp-image-17363\" src=\"http:\/\/diariomagazine.com\/wp-content\/uploads\/2026\/03\/miumiu-2-200x300.jpg\" alt=\"\" width=\"299\" height=\"449\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/miumiu-2-200x300.jpg 200w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/miumiu-2.jpg 683w\" sizes=\"(max-width: 299px) 100vw, 299px\" \/><\/p>\n<p><img decoding=\"async\" class=\"alignnone  wp-image-17364\" src=\"http:\/\/diariomagazine.com\/wp-content\/uploads\/2026\/03\/miu-miu-3-200x300.jpg\" alt=\"\" width=\"299\" height=\"449\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/miu-miu-3-200x300.jpg 200w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/miu-miu-3.jpg 683w\" sizes=\"(max-width: 299px) 100vw, 299px\" \/><\/p>\n<p><img decoding=\"async\" class=\"alignnone  wp-image-17365\" src=\"http:\/\/diariomagazine.com\/wp-content\/uploads\/2026\/03\/miumiu-200x300.jpg\" alt=\"\" width=\"298\" height=\"448\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/miumiu-200x300.jpg 200w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/miumiu.jpg 683w\" sizes=\"(max-width: 298px) 100vw, 298px\" \/><\/p>\n<p><em>(<\/em><em>Miu Miu, Paris Fashion Week, Fall Winter 2026\/2027)<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p>\u00c8 con <strong>Balenciaga<\/strong>, sotto la direzione creativa di Pierpaolo Piccioli, che la moda continua a cogliere il <strong>lato emotivo<\/strong>; silhouettes che abitano volumi <strong>aumentati<\/strong>, fluttuanti e <strong>accoglienti<\/strong>. <strong>Rinascita<\/strong>, sbocciare di vite nuove, in una generale assenza di <strong>luce<\/strong> che apre gli sguardi verso il <strong>futuro<\/strong>, la voglia di crederci in una <strong>dinamicit\u00e0<\/strong> di corpi e forme che, non pi\u00f9 statiche, si muovono <strong>liberamente<\/strong> nello spazio.<\/p>\n<p><img decoding=\"async\" class=\"alignnone  wp-image-17367\" src=\"http:\/\/diariomagazine.com\/wp-content\/uploads\/2026\/03\/balenciaga-2-200x300.jpg\" alt=\"\" width=\"290\" height=\"435\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/balenciaga-2-200x300.jpg 200w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/balenciaga-2.jpg 683w\" sizes=\"(max-width: 290px) 100vw, 290px\" \/><\/p>\n<p><img decoding=\"async\" class=\"alignnone  wp-image-17368\" src=\"http:\/\/diariomagazine.com\/wp-content\/uploads\/2026\/03\/balenciaga-3-200x300.jpg\" alt=\"\" width=\"291\" height=\"437\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/balenciaga-3-200x300.jpg 200w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/balenciaga-3.jpg 683w\" sizes=\"(max-width: 291px) 100vw, 291px\" \/><\/p>\n<p><img decoding=\"async\" class=\"alignnone  wp-image-17369\" src=\"http:\/\/diariomagazine.com\/wp-content\/uploads\/2026\/03\/balenciaga-200x300.jpg\" alt=\"\" width=\"290\" height=\"435\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/balenciaga-200x300.jpg 200w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/balenciaga.jpg 683w\" sizes=\"(max-width: 290px) 100vw, 290px\" \/><\/p>\n<p><em>(<\/em><em>Balenciaga, Paris Fashion Week, Fall Winter 2026\/2027)<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p>Pensieri, <strong>idee<\/strong>, che continuano a gravitare facendo ritorno a Roma, dove, nella maestosit\u00e0 delle sale di <strong>Palazzo Barberini<\/strong>, sfila la collezione di <strong>Valentino<\/strong> sotto la direzione creativa di Alessandro Michele.<\/p>\n<p><strong>Interferenze<\/strong> \u00e8 il nome della collezione, in onore dei <strong>conflitti<\/strong> che riescono a esistere <strong>insieme<\/strong> in un unico spazio, l\u2019incontro teso tra il <strong>dionisiaco<\/strong> e <strong>l\u2019apollineo<\/strong>. Legame stretto tra arte e moda, moda che irrompe nel reale per ordinarlo e <strong>scombinarlo<\/strong>, per scrivere <strong>regole<\/strong> e poi <strong>annullarle<\/strong>, in una <strong>vulnerabilit\u00e0<\/strong> costantemente <strong>mutante<\/strong>.<\/p>\n<p><img decoding=\"async\" class=\"alignnone  wp-image-17370\" src=\"http:\/\/diariomagazine.com\/wp-content\/uploads\/2026\/03\/valentino--200x300.jpg\" alt=\"\" width=\"279\" height=\"419\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/valentino--200x300.jpg 200w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/valentino-.jpg 683w\" sizes=\"(max-width: 279px) 100vw, 279px\" \/><\/p>\n<p><img decoding=\"async\" class=\"alignnone  wp-image-17371\" src=\"http:\/\/diariomagazine.com\/wp-content\/uploads\/2026\/03\/valentino-3-200x300.jpg\" alt=\"\" width=\"279\" height=\"419\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/valentino-3-200x300.jpg 200w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/valentino-3.jpg 683w\" sizes=\"(max-width: 279px) 100vw, 279px\" \/><\/p>\n<p><img decoding=\"async\" class=\"alignnone  wp-image-17372\" src=\"http:\/\/diariomagazine.com\/wp-content\/uploads\/2026\/03\/valentino-2-200x300.jpg\" alt=\"\" width=\"279\" height=\"419\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/valentino-2-200x300.jpg 200w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/valentino-2.jpg 683w\" sizes=\"(max-width: 279px) 100vw, 279px\" \/><\/p>\n<p><em>(<\/em><em>Valentino, Palazzo Barberini, Roma, Fall Winter 2026\/2027)<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p>In questa <strong>ambivalenza<\/strong> tra la perdita dell\u2019<strong>individualit\u00e0<\/strong>, in un caos nebuloso che annebbia, <strong>sfoca<\/strong> la vista, e la ricerca di una <strong>centralit\u00e0<\/strong>, la moda e le menti creative che ne fanno parte si sono rivelate <strong>umane<\/strong>, desiderose di interpretare la concreta importanza dell\u2019<strong>esistere<\/strong> in un tempo cos\u00ec complesso, <strong>indagando<\/strong> su un uomo che cerca di destreggiarsi nel proteggere la propria <strong>anima<\/strong>, pur essendo in bal\u00eca di una <strong>tempesta<\/strong>.<\/p>\n<p><img decoding=\"async\" class=\"wp-image-17373 alignnone\" src=\"http:\/\/diariomagazine.com\/wp-content\/uploads\/2026\/03\/Maestrale-scaled-1-300x212.jpg\" alt=\"\" width=\"825\" height=\"583\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/Maestrale-scaled-1-300x212.jpg 300w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/03\/Maestrale-scaled-1-1024x724.jpg 1024w\" sizes=\"(max-width: 825px) 100vw, 825px\" \/><\/p>\n<p><em>(<\/em><em>Mario Ceroli, Maestrale, scultura in vetro, 155x560x240 cm, 1992)<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p>*In Apertura <strong>Anselm Kiefer<\/strong>, Dana\u00eb, 2014, Emulsione, olio, acrilico, carboncino, foglia d&#8217;oro e sedimento di elettrolisi su tela, 280 x 380 cm.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; LUCREZIA BAZZOLO | ROMA, 27 MARZO 2026 Cosa significa oggi esistere in un\u2019epoca stratificata, ricca di contrasti come quella odierna? \u00c8 proprio su questo e su molti altri interrogativi che indagano le appena trascorse Fashion Week di Milano e di Parigi. Collezioni che in passerella hanno portato riflessioni, contrapposizioni, facendole vivere dentro a innumerevoli [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":17352,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[86],"tags":[616,1143,482,1141],"class_list":["post-17350","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-senza-categoria-it","tag-arte-contemporanea","tag-fashion-week","tag-identita","tag-moda"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>GLI STRATI DELLA VITA NELLA COMPLESSA LETTURA DEL CONTEMPORANEO - DIARIO - ARTE E CULTURA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.diariomagazine.com\/?p=17350\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"GLI STRATI DELLA VITA NELLA COMPLESSA LETTURA DEL CONTEMPORANEO - DIARIO - ARTE E CULTURA\" \/>\n<meta property=\"og:description\" content=\"&nbsp; LUCREZIA BAZZOLO | ROMA, 27 MARZO 2026 Cosa significa oggi esistere in un\u2019epoca stratificata, ricca di contrasti come quella odierna? \u00c8 proprio su questo e su molti altri interrogativi che indagano le appena trascorse Fashion Week di Milano e di Parigi. 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