{"id":17030,"date":"2026-01-30T17:43:30","date_gmt":"2026-01-30T16:43:30","guid":{"rendered":"https:\/\/diario.ansuini.com\/?p=17030"},"modified":"2026-01-30T18:27:05","modified_gmt":"2026-01-30T17:27:05","slug":"lo-stato-dell-arte-focus-2-8-febbraio-2026","status":"publish","type":"post","link":"https:\/\/www.diariomagazine.com\/?p=17030","title":{"rendered":"LO STATO DELL\u2019 ARTE * FOCUS 2 \u2013 8 FEBBRAIO 2026"},"content":{"rendered":"<p>REDAZIONE| ROMA, 30 GENNAIO 2026<\/p>\n<p>Il motore dell\u2019industria dell\u2019arte si rimette in moto con delle rilevanti mostre ed aste internazionali. Questo sar\u00e0 un anno importante per capire quanto gli sconvolgimenti geopolitici possano influire sui promotori d\u2019arte e sugli artisti.<\/p>\n<p>Le grandi fiere d\u2019arte non sono pi\u00f9 solo dei contenitori di stand di mercanti. Oggi hanno sempre pi\u00f9 l\u2019ambizione di essere anche orientatori del mercato e della creazione artistica. Le contaminazioni con la finanza, spesso derivazione diretta di stati e potentati, possono fare scarrocciare verso tentativi di imposizione di idee e paradigmi che ostacolano la libera creativit\u00e0.<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-17032\" src=\"https:\/\/diario.ansuini.com\/wp-content\/uploads\/2026\/01\/2-Art-Basel-Quatar-300x175.jpg\" alt=\"\" width=\"802\" height=\"468\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/01\/2-Art-Basel-Quatar-300x175.jpg 300w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/01\/2-Art-Basel-Quatar.jpg 887w\" sizes=\"(max-width: 802px) 100vw, 802px\" \/><\/p>\n<p><span style=\"font-size: 13px;\">(Art Basel Quatar)<\/span><\/p>\n<p><strong>Qatar Sports Investments <\/strong>ha effettuato investimenti molto importanti in <strong>Art Basel,<\/strong> forse la pi\u00f9 importante fiera d\u2019arte al mondo. <strong>QSI<\/strong> realizza investimenti strategici focalizzati su asset di livello mondiale nell\u2019ambito dello sport, intrattenimento, lifestyle e cultura. Tra le tante partecipazioni \u00e8 anche proprietaria della squadra di calcio <strong>Paris Saint-Germain<\/strong>, della squadra belga <strong>KAS Eupen <\/strong>e con quote nello <strong>Sporting Club di Braga<\/strong>. L\u2019organizzazione, sotto il controllo del governo del <strong>Qatar <\/strong>con sede a <strong>Doha<\/strong>, insieme al fondo sovrano <em>Qatar Investment Authority <\/em>e alla <em>Qatar Foundation<\/em>, gestisce la ricchezza qatarina proveniente dal gas. <strong>QSI<\/strong> vuole integrare l\u2019arte nella \u201c<strong>Visione nazionale 2030<\/strong>\u201c del <strong>Qatar.<\/strong><\/p>\n<p>Dal<strong> 5<\/strong> al<strong> 7<\/strong> Febbraio ad <strong>\u201cArt Basel Doha Qatar<\/strong>\u201d partecipano <strong>87<\/strong> selezionate gallerie. Oltre met\u00e0 degli artisti provengono da <strong>Medio Oriente,<\/strong> <strong>Nord Africa<\/strong> ed <strong>Asia del Sud<\/strong>. Dall\u2019edizione di quest\u2019anno viene inserito un nuovo format che si discosta dal tradizionale modello di stand ed \u00e8 basato sulla \u201c<em>visione artistica e sul rigore concettuale\u201d<\/em>. La direzione della fiera indica un tema che funge da punto di riferimento e da catalizzatore. Quest\u2019anno il tema \u00e8 <strong>\u201cDivenire\u201d.<\/strong> L\u2019arte deve agire come forza che stimola la continua definizione dell\u2019attivit\u00e0. Un accento particolare \u00e8 posto sull\u2019area <strong>MENA<\/strong> e sulla grande importanza attribuita al Golfo e a Doha come hub artistico della regione.<\/p>\n<p>In <strong>Svizzera<\/strong> dal <strong>4<\/strong> all\u2019<strong>8<\/strong> Febbraio <strong>Art Geneve. <\/strong>Nella sezione musica sono presentate opere sonore con installazioni e performance<\/p>\n<p>In <strong>India<\/strong> dal <strong>5<\/strong> all\u2019<strong>8<\/strong> Febbraio <strong>India Art Fair<\/strong> a New Delhi.\u00a0 La fiera \u00e8 interessante per chi desidera approfondire la cultura indiana.<\/p>\n<p>In <strong>Messico<\/strong> dall\u2019<strong>6<\/strong> al <strong>7<\/strong> Febbraio <strong>Zona Maco<\/strong> a Citt\u00e0 del Messico. E\u2019 la pi\u00f9 grande e importante fiera dell\u2019America Latina.<\/p>\n<p>In <strong>Marocco<\/strong> dal <strong>7<\/strong> all\u2019<strong>8<\/strong> Febbraio <strong>Contemporary African Art Fair <\/strong>a Marrakech. La fiera, nell\u2019iconico Hotel <strong>La Mamounia<\/strong>, \u00e8 dedicata all\u2019arte africana ed alla sua diaspora.<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-17033\" src=\"https:\/\/diario.ansuini.com\/wp-content\/uploads\/2026\/01\/3-Art-Fair-Brussels-300x210.jpg\" alt=\"\" width=\"773\" height=\"541\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/01\/3-Art-Fair-Brussels-300x210.jpg 300w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/01\/3-Art-Fair-Brussels.jpg 817w\" sizes=\"(max-width: 773px) 100vw, 773px\" \/><\/p>\n<p><span style=\"font-size: 13px;\">(Affordable Art Fair Brussels)<\/span><\/p>\n<p>Mentre nelle grandi fiere si celebrano i risultati milionari raggiunti dalla vendita di opere glorificate dal mercato <strong>Affordable Art<\/strong> <strong>Fair<\/strong> ne limita il prezzo a <strong>10.000 euro<\/strong>. Sono delle fiere internazionali di arte contemporanea che si svolgono negli <strong>USA<\/strong> in <strong>Europa<\/strong>, <strong>Australia,<\/strong> <strong>Hong Kong<\/strong> e <strong>Singapore. <\/strong>Sono presenti in <strong>11 <\/strong>nazioni con <strong>280.000<\/strong> visitatori e con la missione di \u201c<em>Democratizzare il<\/em> <em>mondo dell\u2019arte aiutando le persone a conoscere ed amare l\u2019arte\u201d<\/em>. Nelle fiere oltre all\u2019esposizione di opere si svolgono conferenze, workshop guidati da artisti e attivit\u00e0 d\u2019arte per i bambini. Per giornate complete vi sono ristoranti, bar e musica dal vivo.<strong> Affordable Art Fair<\/strong> nel 2026 celebra il suo <strong>27\u00ba anniversario<\/strong>.<\/p>\n<p>In <strong>Belgio <\/strong>dal <strong>4<\/strong> all\u2019<strong>8<\/strong> Febbraio <strong>Affordable Art Fair Brussels.<\/strong> 85 gallerie belghe ed internazionali presentano artisti affermati ed emergenti<\/p>\n<p>Le Case d\u2019Asta iniziano a presentare opere importanti. Siamo consapevoli dei valori apicali che pu\u00f2 raggiungere l\u2019arte contemporanea e lo siamo altrettanto per quelli contenuti dell\u2019arte antica. <strong>A New York<\/strong> nella prossima settimana saranno battuti in asta alcuni capolavori di Antichi Maestri italiani che potrebbero essere riportati in patria.<\/p>\n<p><strong>Christie\u2019s<\/strong> il<strong> 4<\/strong> Febbraio a New York batte l\u2019asta \u201c<em>Vecchi Maestri\u201d.<\/em><\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-17034\" src=\"https:\/\/diario.ansuini.com\/wp-content\/uploads\/2026\/01\/4-1-227x300.jpg\" alt=\"\" width=\"469\" height=\"620\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/01\/4-1-227x300.jpg 227w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/01\/4-1.jpg 610w\" sizes=\"(max-width: 469px) 100vw, 469px\" \/><\/p>\n<p>Lotto 16 <strong>Artemisia Gentileschi<\/strong> (Roma 1593-dopo il 1654 Napoli) <strong>Autoritratto<\/strong> come <em>Santa Caterina d\u2019Alessandria<\/em> olio su tavola cm 32,3 x 24,6 valutazione <strong>2.500.000<\/strong> \u2013 <strong>3.500.000 <\/strong>$.<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-17035\" src=\"https:\/\/diario.ansuini.com\/wp-content\/uploads\/2026\/01\/5-2-238x300.jpg\" alt=\"\" width=\"550\" height=\"693\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/01\/5-2-238x300.jpg 238w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/01\/5-2.jpg 603w\" sizes=\"(max-width: 550px) 100vw, 550px\" \/><\/p>\n<p>Lotto 23 Alessandro Filipepi, detto <strong>Sandro Botticelli<\/strong> (Firenze 1445-1510) e laboratorio <em>La Madonna col Bambino e San Giovannino<\/em> tempera e olio su tavola cm 89,8 x 72,7 valutazione <strong>4.000.000 \u2013 6.000.000 $<\/strong>.<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-17036\" src=\"https:\/\/diario.ansuini.com\/wp-content\/uploads\/2026\/01\/6-3-300x293.jpg\" alt=\"\" width=\"627\" height=\"612\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/01\/6-3-300x293.jpg 300w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/01\/6-3.jpg 810w\" sizes=\"(max-width: 627px) 100vw, 627px\" \/><\/p>\n<p><em>Old Master Painting and Sculpture Part II<\/em><\/p>\n<p>Lotto 194 <strong>Luca Giordano<\/strong> (Napoli 1634 &#8211; 1705) <em>Rebecca al pozzo<\/em> olio su tela cm 118,4 x 118,4 valutazione <strong>20.000 \u00a0\u2013 30.000 $<\/strong>.<\/p>\n<p><strong>Sotheby\u2019s<\/strong> il <strong>5 <\/strong>Febbraio a New York batte l\u2019asta <em>\u201cDipinti ed Opere d\u2019Arte di Maestri Antichi\u201d.<\/em><\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-17037\" src=\"https:\/\/diario.ansuini.com\/wp-content\/uploads\/2026\/01\/7-1-231x300.jpg\" alt=\"\" width=\"538\" height=\"699\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/01\/7-1-231x300.jpg 231w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/01\/7-1.jpg 615w\" sizes=\"(max-width: 538px) 100vw, 538px\" \/><\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-17067\" src=\"https:\/\/diario.ansuini.com\/wp-content\/uploads\/2026\/01\/8-225x300.jpg\" alt=\"\" width=\"539\" height=\"719\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/01\/8-225x300.jpg 225w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/01\/8.jpg 608w\" sizes=\"(max-width: 539px) 100vw, 539px\" \/><\/p>\n<p><strong>Antonello da Messina<\/strong> (circa 1430 \u2013 1479) <em>Ecce Homo San Girolamo penitente<\/em> tempera grassa su tavola, pannello bifacciale cm 20,3 x 14,9. Valutazione <strong>10.000.000 \u2013 15.000.000 $<\/strong>.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.sothebys.com\/en\/buy\/auction\/2026\/master-works-on-paper-from-five-centuries\/young-lion-resting\">https:\/\/www.sothebys.com\/en\/buy\/auction\/2026\/master-works-on-paper-from-five-centuries\/young-lion-resting<\/a><\/li>\n<li><a href=\"https:\/\/www.christies.com\/en\/lot\/lot-6571041?ldp_breadcrumb=back\">https:\/\/www.christies.com\/en\/lot\/lot-6571041?ldp_breadcrumb=back<\/a><\/li>\n<li><a href=\"https:\/\/www.christies.com\/en\/lot\/lot-6571048?ldp_breadcrumb=back\">https:\/\/www.christies.com\/en\/lot\/lot-6571048?ldp_breadcrumb=back<\/a><\/li>\n<li><a href=\"https:\/\/www.christies.com\/en\/lot\/lot-6571023?ldp_breadcrumb=back\">https:\/\/www.christies.com\/en\/lot\/lot-6571023?ldp_breadcrumb=back<\/a><\/li>\n<li><a href=\"https:\/\/www.sothebys.com\/en\/buy\/auction\/2026\/master-paintings-sculpture-part-i\/ecce-homo-saint-jerome-in-penitence?locale=it\">https:\/\/www.sothebys.com\/en\/buy\/auction\/2026\/master-paintings-sculpture-part-i\/ecce-homo-saint-jerome-in-penitence?locale=it<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>REDAZIONE| ROMA, 30 GENNAIO 2026 Il motore dell\u2019industria dell\u2019arte si rimette in moto con delle rilevanti mostre ed aste internazionali. Questo sar\u00e0 un anno importante per capire quanto gli sconvolgimenti geopolitici possano influire sui promotori d\u2019arte e sugli artisti. Le grandi fiere d\u2019arte non sono pi\u00f9 solo dei contenitori di stand di mercanti. Oggi hanno [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":17031,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[64],"tags":[896,898,894,900,902],"class_list":["post-17030","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte-moderna-e-contemporanea","tag-affordable-art-fair","tag-antichi-maestri","tag-art-basel-qatar","tag-fiere-internazionali","tag-investimenti-e-geopolitica"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>LO STATO DELL\u2019 ARTE * FOCUS 2 \u2013 8 FEBBRAIO 2026 - DIARIO - ARTE E CULTURA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.diariomagazine.com\/?p=17030\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LO STATO DELL\u2019 ARTE * FOCUS 2 \u2013 8 FEBBRAIO 2026 - DIARIO - ARTE E CULTURA\" \/>\n<meta property=\"og:description\" content=\"REDAZIONE| ROMA, 30 GENNAIO 2026 Il motore dell\u2019industria dell\u2019arte si rimette in moto con delle rilevanti mostre ed aste internazionali. Questo sar\u00e0 un anno importante per capire quanto gli sconvolgimenti geopolitici possano influire sui promotori d\u2019arte e sugli artisti. Le grandi fiere d\u2019arte non sono pi\u00f9 solo dei contenitori di stand di mercanti. Oggi hanno [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.diariomagazine.com\/?p=17030\" \/>\n<meta property=\"og:site_name\" content=\"DIARIO - ARTE E CULTURA\" \/>\n<meta property=\"article:published_time\" content=\"2026-01-30T16:43:30+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-01-30T17:27:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/01\/1-4.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"906\" \/>\n\t<meta property=\"og:image:height\" content=\"523\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Redazione\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Redazione\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.diariomagazine.com\\\/?p=17030#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.diariomagazine.com\\\/?p=17030\"},\"author\":{\"name\":\"Redazione\",\"@id\":\"https:\\\/\\\/www.diariomagazine.com\\\/#\\\/schema\\\/person\\\/d3579397a1149c7462f88b83cb19bd8d\"},\"headline\":\"LO STATO DELL\u2019 ARTE * FOCUS 2 \u2013 8 FEBBRAIO 2026\",\"datePublished\":\"2026-01-30T16:43:30+00:00\",\"dateModified\":\"2026-01-30T17:27:05+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.diariomagazine.com\\\/?p=17030\"},\"wordCount\":754,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/www.diariomagazine.com\\\/?p=17030#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.diariomagazine.com\\\/wp-content\\\/uploads\\\/2026\\\/01\\\/1-4.jpg\",\"keywords\":[\"Affordable Art Fair\",\"Antichi Maestri\",\"Art Basel Qatar\",\"Fiere internazionali\",\"Investimenti e geopolitica\"],\"articleSection\":[\"Arte Moderna e Contemporanea\"],\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.diariomagazine.com\\\/?p=17030#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.diariomagazine.com\\\/?p=17030\",\"url\":\"https:\\\/\\\/www.diariomagazine.com\\\/?p=17030\",\"name\":\"LO STATO DELL\u2019 ARTE * FOCUS 2 \u2013 8 FEBBRAIO 2026 - DIARIO - ARTE E CULTURA\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.diariomagazine.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.diariomagazine.com\\\/?p=17030#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.diariomagazine.com\\\/?p=17030#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.diariomagazine.com\\\/wp-content\\\/uploads\\\/2026\\\/01\\\/1-4.jpg\",\"datePublished\":\"2026-01-30T16:43:30+00:00\",\"dateModified\":\"2026-01-30T17:27:05+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/www.diariomagazine.com\\\/#\\\/schema\\\/person\\\/d3579397a1149c7462f88b83cb19bd8d\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.diariomagazine.com\\\/?p=17030#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.diariomagazine.com\\\/?p=17030\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.diariomagazine.com\\\/?p=17030#primaryimage\",\"url\":\"https:\\\/\\\/www.diariomagazine.com\\\/wp-content\\\/uploads\\\/2026\\\/01\\\/1-4.jpg\",\"contentUrl\":\"https:\\\/\\\/www.diariomagazine.com\\\/wp-content\\\/uploads\\\/2026\\\/01\\\/1-4.jpg\",\"width\":906,\"height\":523},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.diariomagazine.com\\\/?p=17030#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.diariomagazine.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"LO STATO DELL\u2019 ARTE * FOCUS 2 \u2013 8 FEBBRAIO 2026\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.diariomagazine.com\\\/#website\",\"url\":\"https:\\\/\\\/www.diariomagazine.com\\\/\",\"name\":\"DIARIO - ARTE E CULTURA\",\"description\":\"Un dialogo aperto sull&#039;arte e le sue molteplici rappresentazioni\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.diariomagazine.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.diariomagazine.com\\\/#\\\/schema\\\/person\\\/d3579397a1149c7462f88b83cb19bd8d\",\"name\":\"Redazione\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/657ddf8b5291eca62bcd7dd072b19a3a7f6dc3242db79ec68c07dc323e1b3a69?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/657ddf8b5291eca62bcd7dd072b19a3a7f6dc3242db79ec68c07dc323e1b3a69?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/657ddf8b5291eca62bcd7dd072b19a3a7f6dc3242db79ec68c07dc323e1b3a69?s=96&d=mm&r=g\",\"caption\":\"Redazione\"},\"sameAs\":[\"http:\\\/\\\/www.diario.ansuini.com\"],\"url\":\"https:\\\/\\\/www.diariomagazine.com\\\/?author=2\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"LO STATO DELL\u2019 ARTE * FOCUS 2 \u2013 8 FEBBRAIO 2026 - DIARIO - ARTE E CULTURA","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.diariomagazine.com\/?p=17030","og_locale":"it_IT","og_type":"article","og_title":"LO STATO DELL\u2019 ARTE * FOCUS 2 \u2013 8 FEBBRAIO 2026 - DIARIO - ARTE E CULTURA","og_description":"REDAZIONE| ROMA, 30 GENNAIO 2026 Il motore dell\u2019industria dell\u2019arte si rimette in moto con delle rilevanti mostre ed aste internazionali. Questo sar\u00e0 un anno importante per capire quanto gli sconvolgimenti geopolitici possano influire sui promotori d\u2019arte e sugli artisti. Le grandi fiere d\u2019arte non sono pi\u00f9 solo dei contenitori di stand di mercanti. Oggi hanno [&hellip;]","og_url":"https:\/\/www.diariomagazine.com\/?p=17030","og_site_name":"DIARIO - ARTE E CULTURA","article_published_time":"2026-01-30T16:43:30+00:00","article_modified_time":"2026-01-30T17:27:05+00:00","og_image":[{"width":906,"height":523,"url":"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/01\/1-4.jpg","type":"image\/jpeg"}],"author":"Redazione","twitter_card":"summary_large_image","twitter_misc":{"Scritto da":"Redazione","Tempo di lettura stimato":"6 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.diariomagazine.com\/?p=17030#article","isPartOf":{"@id":"https:\/\/www.diariomagazine.com\/?p=17030"},"author":{"name":"Redazione","@id":"https:\/\/www.diariomagazine.com\/#\/schema\/person\/d3579397a1149c7462f88b83cb19bd8d"},"headline":"LO STATO DELL\u2019 ARTE * FOCUS 2 \u2013 8 FEBBRAIO 2026","datePublished":"2026-01-30T16:43:30+00:00","dateModified":"2026-01-30T17:27:05+00:00","mainEntityOfPage":{"@id":"https:\/\/www.diariomagazine.com\/?p=17030"},"wordCount":754,"commentCount":0,"image":{"@id":"https:\/\/www.diariomagazine.com\/?p=17030#primaryimage"},"thumbnailUrl":"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/01\/1-4.jpg","keywords":["Affordable Art Fair","Antichi Maestri","Art Basel Qatar","Fiere internazionali","Investimenti e geopolitica"],"articleSection":["Arte Moderna e Contemporanea"],"inLanguage":"it-IT","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.diariomagazine.com\/?p=17030#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.diariomagazine.com\/?p=17030","url":"https:\/\/www.diariomagazine.com\/?p=17030","name":"LO STATO DELL\u2019 ARTE * FOCUS 2 \u2013 8 FEBBRAIO 2026 - DIARIO - ARTE E CULTURA","isPartOf":{"@id":"https:\/\/www.diariomagazine.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.diariomagazine.com\/?p=17030#primaryimage"},"image":{"@id":"https:\/\/www.diariomagazine.com\/?p=17030#primaryimage"},"thumbnailUrl":"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/01\/1-4.jpg","datePublished":"2026-01-30T16:43:30+00:00","dateModified":"2026-01-30T17:27:05+00:00","author":{"@id":"https:\/\/www.diariomagazine.com\/#\/schema\/person\/d3579397a1149c7462f88b83cb19bd8d"},"breadcrumb":{"@id":"https:\/\/www.diariomagazine.com\/?p=17030#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.diariomagazine.com\/?p=17030"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.diariomagazine.com\/?p=17030#primaryimage","url":"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/01\/1-4.jpg","contentUrl":"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2026\/01\/1-4.jpg","width":906,"height":523},{"@type":"BreadcrumbList","@id":"https:\/\/www.diariomagazine.com\/?p=17030#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.diariomagazine.com\/"},{"@type":"ListItem","position":2,"name":"LO STATO DELL\u2019 ARTE * FOCUS 2 \u2013 8 FEBBRAIO 2026"}]},{"@type":"WebSite","@id":"https:\/\/www.diariomagazine.com\/#website","url":"https:\/\/www.diariomagazine.com\/","name":"DIARIO - ARTE E CULTURA","description":"Un dialogo aperto sull&#039;arte e le sue molteplici rappresentazioni","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.diariomagazine.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Person","@id":"https:\/\/www.diariomagazine.com\/#\/schema\/person\/d3579397a1149c7462f88b83cb19bd8d","name":"Redazione","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/657ddf8b5291eca62bcd7dd072b19a3a7f6dc3242db79ec68c07dc323e1b3a69?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/657ddf8b5291eca62bcd7dd072b19a3a7f6dc3242db79ec68c07dc323e1b3a69?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/657ddf8b5291eca62bcd7dd072b19a3a7f6dc3242db79ec68c07dc323e1b3a69?s=96&d=mm&r=g","caption":"Redazione"},"sameAs":["http:\/\/www.diario.ansuini.com"],"url":"https:\/\/www.diariomagazine.com\/?author=2"}]}},"_links":{"self":[{"href":"https:\/\/www.diariomagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/17030","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.diariomagazine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.diariomagazine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.diariomagazine.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.diariomagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=17030"}],"version-history":[{"count":7,"href":"https:\/\/www.diariomagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/17030\/revisions"}],"predecessor-version":[{"id":17078,"href":"https:\/\/www.diariomagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/17030\/revisions\/17078"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.diariomagazine.com\/index.php?rest_route=\/wp\/v2\/media\/17031"}],"wp:attachment":[{"href":"https:\/\/www.diariomagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=17030"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.diariomagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=17030"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.diariomagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=17030"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}