{"id":16537,"date":"2025-10-31T13:21:25","date_gmt":"2025-10-31T12:21:25","guid":{"rendered":"https:\/\/diario.ansuini.com\/?p=16537"},"modified":"2025-10-31T16:48:45","modified_gmt":"2025-10-31T15:48:45","slug":"lo-stato-dellarte-focus-3-10-novembre-2025","status":"publish","type":"post","link":"https:\/\/www.diariomagazine.com\/?p=16537","title":{"rendered":"LO STATO DELL\u2019ARTE * FOCUS  3 \u2013 10 NOVEMBRE 2025"},"content":{"rendered":"<p>PROF. SERGIO ANSUINI | ROMA, 31 OTTOBRE 2025<\/p>\n<p>Sembra proprio che da un po\u2019 di tempo il destino cinico e baro si accanisca contro la <strong>Francia.<\/strong> Difficolt\u00e0 economiche, difficolt\u00e0 politiche e poi, quando sembra proprio di avere messo a segno una bella vittoria culturale con il successo di <strong>Art Basel Paris<\/strong>, ecco che quattro felloni mettono in ridicolo il sistema di sicurezza culturale della Nazione. Peccato! L\u2019eco internazionale di una dimostrazione dell\u2019efficienza e della centralit\u00e0 culturale francese si appanna per la notizia mondiale del furto al <strong>Louvre.<\/strong><\/p>\n<p><strong>Art Basel Paris<\/strong> (dal 21 al 26 ottobre) \u00e8 stato comunque un successo organizzativo ed economico. <strong>Settantaduemila <\/strong>visitatori, <strong>206 <\/strong>espositori provenienti da <strong>41<\/strong> Paesi. Transazioni molto importanti con collezionisti pronti a digitare bonifici ponderosi per acquistare opere che sono un sogno irraggiungibile per la quasi totalit\u00e0 degli amanti dell\u2019arte.<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-16543\" src=\"https:\/\/diario.ansuini.com\/wp-content\/uploads\/2025\/10\/2-4-243x300.jpg\" alt=\"\" width=\"526\" height=\"650\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2025\/10\/2-4-243x300.jpg 243w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2025\/10\/2-4.jpg 511w\" sizes=\"(max-width: 526px) 100vw, 526px\" \/><\/p>\n<p><span style=\"font-size: 13px;\">(Gerhard Richter &#8211; Abstraktes Bild)<\/span><\/p>\n<p>La galleria <strong>Hauser &amp; Wirth<\/strong> ha centrato la vendita pi\u00f9 importante della fiera con <strong><em>\u201cAbstraktes Bild\u201d<\/em><\/strong> di <strong>Gerhard Richter (1932-vivente)<\/strong> acquistato per <strong>23 milioni<\/strong> di dollari. Le vendite non si sono fermate qui perch\u00e9 tra tante altre opere hanno anche ceduto un <strong>Fontana <\/strong>(1899-1968)<strong> \u201c<em>Concetto spaziale attese\u201d<\/em><\/strong> per <strong>3,5 milioni<\/strong>.<\/p>\n<p>Gli artisti italiani testimoniano ancora che tutto non si \u00e8 fermato al Rinascimento. <strong>Pace Gallery<\/strong> e <strong>Thaddaeus Ropac<\/strong> hanno venduto rispettivamente il quadro di <strong>Modigliani (1884-1920)<\/strong> \u201c<strong><em>Jeune fille aux macarons\u201d<\/em><\/strong> per <strong>10 milioni<\/strong> e l\u2019opera di <strong>Burri<\/strong> (1915-1995)\u00a0 \u201c<strong><em>Sacco e Oro\u201d<\/em><\/strong> per <strong>4,2 milioni<\/strong>.<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-16544\" src=\"https:\/\/diario.ansuini.com\/wp-content\/uploads\/2025\/10\/3-3-223x300.jpg\" alt=\"\" width=\"411\" height=\"553\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2025\/10\/3-3-223x300.jpg 223w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2025\/10\/3-3.jpg 262w\" sizes=\"(max-width: 411px) 100vw, 411px\" \/><\/p>\n<p data-pm-slice=\"1 1 []\"><span style=\"font-size: 13px;\">(Amedeo Modigliani &#8211; Jeune fille aux macarons)<\/span><\/p>\n<p>La galleria <strong>White Cube<\/strong> ha ottenuto uno dei prezzi pi\u00f9 alti sul mercato primario per l\u2019artista <strong>Julia Meheretu<\/strong> (1970 &#8211; vivente) con un suo quadro quotato <strong>11,5 milioni<\/strong>. <strong>Meheretu,<\/strong> etiope naturalizzata statunitense, concentra la sua opera sui conflitti e le questioni sociali. Artista che fa parte delle \u201cminoranze\u201d ha creato il grande murale di circa 25 metri per la sede della banca <strong>Goldman Sachs<\/strong>.<strong> David<\/strong> <strong>Zwirner<\/strong> ha venduto una scultura di <strong>Ruth Asawa<\/strong> (1926-2013) a <strong>7,5 milioni<\/strong> e un dipinto di <strong>Martin Kippenberger<\/strong> (1953-1997) a <strong>5 milioni.<\/strong><\/p>\n<p>Tra i tanti mercanti stranieri la galleria italiana <strong>Tornabuoni <\/strong>ha venduto una natura morta di <strong>Giorgio Morandi <\/strong>(1890-1964) per <strong>2 milioni<\/strong>.<\/p>\n<p>Le due pi\u00f9 grandi Case d\u2019Asta dopo le performance di Londra e Parigi vedono le loro tornate posizionarsi su un tono minore. La statunitense <strong>Heritage Auctions, <\/strong>fondata nel<strong> 1976, <\/strong>\u00e8 <strong>la<\/strong> <strong>terza <\/strong>casa d&#8217;aste a livello mondiale, ma \u00e8 la pi\u00f9 importante nel web con <strong>1,96 milioni<\/strong> di utenti registrati. Ha sede a <strong>Dallas<\/strong> ed uffici in Europa ed in Oriente. Sviluppa una quantit\u00e0 imponente di aste, ma con un\u2019impostazione molto commerciale. Specializzata in medaglie ed oggetti da collezione batte anche importanti lotti di arte e gioielleria.<\/p>\n<p>Il <strong>4 Novembre <\/strong>2025 a Dallas <strong>Heritage Auctions<\/strong> propone un\u2019asta di <strong><em>\u201cIllustrazione artistica\u201d<\/em><\/strong><\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-16545\" src=\"https:\/\/diario.ansuini.com\/wp-content\/uploads\/2025\/10\/4-2-222x300.jpg\" alt=\"\" width=\"486\" height=\"657\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2025\/10\/4-2-222x300.jpg 222w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2025\/10\/4-2.jpg 420w\" sizes=\"(max-width: 486px) 100vw, 486px\" \/><\/p>\n<p><span style=\"font-size: 13px;\">(Frank Frazetta &#8211; <em>Una Principessa di Marte<\/em>)<\/span><\/p>\n<p>Molto interessante \u00e8 il lotto 71020 asta 8224.\u00a0 <strong>Frank Frazetta<\/strong> (1928-2010). <strong><em>\u201cUna Principessa di Marte<\/em><\/strong>\u201d, Olio su cartone 50 x 40 cm eseguito nel 1970. Valutato <strong>1.5 milioni.<\/strong> <strong>\u00a0Frazetta <\/strong>\u00e8 stato un illustratore, pittore e autore di fumetti specializzato nell\u2019<strong>Arte Fantasy <\/strong>e <strong>Fantascientifica. <\/strong><\/p>\n<p>Dello stesso autore il dipinto originale per la copertina del romanzo Lancer\/Ace Conan del 1967 \u00e8 stato venduto a settembre 2025 per la cifra record di <strong>13,5 milioni<\/strong> di dollari.<\/p>\n<p>La Casa d\u2019aste <strong>Phillips<\/strong> l\u20198 Novembre presenta a Ginevra un\u2019importante asta di orologeria. \u00a0Tra i vari lotti sono da attenzionare:<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-16546\" src=\"https:\/\/diario.ansuini.com\/wp-content\/uploads\/2025\/10\/5-300x232.png\" alt=\"\" width=\"625\" height=\"483\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2025\/10\/5-300x232.png 300w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2025\/10\/5.png 1302w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/p>\n<p>Lotto 34, <strong>Rolex<\/strong> <strong>ref. 6329<\/strong> Cosmograph <strong>Daytona <\/strong>\u201c<strong><em>The Golden Pagoda<\/em><\/strong>\u201d circa 1967, oro 18 kt. Bracciale oro 18 kt, diametro 37 mm. Stima <strong>500.000\/1.000.000 CHF<\/strong>.<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-16547\" src=\"https:\/\/diario.ansuini.com\/wp-content\/uploads\/2025\/10\/6-1-300x232.png\" alt=\"\" width=\"623\" height=\"482\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2025\/10\/6-1-300x232.png 300w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2025\/10\/6-1-1024x794.png 1024w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2025\/10\/6-1.png 1302w\" sizes=\"(max-width: 623px) 100vw, 623px\" \/><\/p>\n<p>Lotto 105, <strong>Patek Philippe ref. 2499\/100<\/strong> \u201c<strong><em>Gubelin\u201d <\/em>Cronografo Calendario Perpetuo<\/strong> 1983 oro 18 kt, cinturino pelle 37 mm di diametro. Valutato <strong>400.000\/800.000<\/strong> CHF<strong>. <\/strong>L\u2019orologio \u00e8 accompagnato da un estratto Patek Philippe del 17\/7\/25 che conferma la produzione dell\u2019orologio nel<strong> 1983<\/strong> e la successiva vendita a maggio dello stesso anno.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.hauserwirth.com\/viewing-room\/icons-gerhard-richter-abstraktes-bild-abstract-painting\/\">https:\/\/www.hauserwirth.com\/viewing-room\/icons-gerhard-richter-abstraktes-bild-abstract-painting\/<\/a><\/li>\n<li><a href=\"https:\/\/artisalive.co.uk\/2025\/10\/26\/modiglianis-jeune-fille-aux-macarons-at-art-basel-paris\/\">https:\/\/artisalive.co.uk\/2025\/10\/26\/modiglianis-jeune-fille-aux-macarons-at-art-basel-paris\/<\/a><\/li>\n<li><a href=\"https:\/\/fineart.ha.com\/itm\/pulp-pulp-like-digests-and-paperback-art\/frank-frazetta-american-1928-2010-a-princess-of-mars-1970-oil-on-canvas-board-20-x-16-inches-508-x-406\/a\/8224-71020.s?ic4=GalleryView-Thumbnail-071515#auction-description\">https:\/\/fineart.ha.com\/itm\/pulp-pulp-like-digests-and-paperback-art\/frank-frazetta-american-1928-2010-a-princess-of-mars-1970-oil-on-canvas-board-20-x-16-inches-508-x-406\/a\/8224-71020.s?ic4=GalleryView-Thumbnail-071515#auction-description<\/a><\/li>\n<li><a href=\"https:\/\/www.phillips.com\/detail\/rolex\/214103\">https:\/\/www.phillips.com\/detail\/rolex\/214103<\/a><\/li>\n<li><a href=\"https:\/\/www.phillips.com\/detail\/patek-philippe\/191575\">https:\/\/www.phillips.com\/detail\/patek-philippe\/191575<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>PROF. SERGIO ANSUINI | ROMA, 31 OTTOBRE 2025 Sembra proprio che da un po\u2019 di tempo il destino cinico e baro si accanisca contro la Francia. Difficolt\u00e0 economiche, difficolt\u00e0 politiche e poi, quando sembra proprio di avere messo a segno una bella vittoria culturale con il successo di Art Basel Paris, ecco che quattro felloni [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":16542,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[86],"tags":[559,565,561,563],"class_list":["post-16537","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-senza-categoria-it","tag-abstraktes-bild","tag-art-basel-paris","tag-cosmograph-daytona","tag-frazetta-jeune-fille-aux-macarons"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>LO STATO DELL\u2019ARTE * FOCUS 3 \u2013 10 NOVEMBRE 2025 - DIARIO - ARTE E CULTURA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.diariomagazine.com\/?p=16537\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LO STATO DELL\u2019ARTE * FOCUS 3 \u2013 10 NOVEMBRE 2025 - DIARIO - ARTE E CULTURA\" \/>\n<meta property=\"og:description\" content=\"PROF. SERGIO ANSUINI | ROMA, 31 OTTOBRE 2025 Sembra proprio che da un po\u2019 di tempo il destino cinico e baro si accanisca contro la Francia. 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