{"id":15560,"date":"2025-02-02T01:00:38","date_gmt":"2025-02-02T00:00:38","guid":{"rendered":"https:\/\/diario.ansuini.com\/?p=15560"},"modified":"2025-03-15T11:23:06","modified_gmt":"2025-03-15T10:23:06","slug":"il-gioielliere-morel-e-la-spada-del-conte-di-parigi","status":"publish","type":"post","link":"https:\/\/www.diariomagazine.com\/?p=15560","title":{"rendered":"IL GIOIELLIERE MOREL E LA SPADA DEL CONTE DI PARIGI"},"content":{"rendered":"<p>PROF. SERGIO ANSUINI|ROMA 2 FEBBRAIO 2025<\/p>\n<p><strong>Jean Valentin Morel <\/strong>(1794-1860) la cui famiglia \u201c<strong><em>Maurel<\/em><\/strong>\u201d era emigrata in Francia dall\u2019Italia, \u00e8 stato un orafo francese conosciuto per la bellezza dei suoi gioielli ed argenti. Lavor\u00f2 durante la <strong>monarchia di Luglio, <\/strong>poi in Inghilterra divenne fornitore ufficiale della <strong>Regina Vittoria<\/strong> e di nuovo in Francia ottenne da <strong>Napoleone<\/strong> <strong>III<\/strong> il titolo di Cavaliere della Legione d\u2019Onore. Sue opere sono esposte ai Musei <strong>Louvre,<\/strong> <strong>Carnavalet <\/strong>e <strong>d\u2019Orsay<\/strong>. La figlia di suo figlio Prosper spos\u00f2 <strong>Joseph Chaumet<\/strong> che eredit\u00f2 l\u2019attivit\u00e0 di famiglia dando origine alla <strong>Maison<\/strong> <strong>Chaumet.<\/strong><\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-15562\" src=\"https:\/\/diario.ansuini.com\/wp-content\/uploads\/2025\/01\/Foto-2-Jean-Valentin-Morel-225x300.jpg\" alt=\"\" width=\"438\" height=\"584\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2025\/01\/Foto-2-Jean-Valentin-Morel-225x300.jpg 225w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2025\/01\/Foto-2-Jean-Valentin-Morel-768x1024.jpg 768w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2025\/01\/Foto-2-Jean-Valentin-Morel.jpg 800w\" sizes=\"(max-width: 438px) 100vw, 438px\" \/>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<span style=\"font-size: 13px;\">(Jean-Valentin Morel)<\/span><\/p>\n<p>La linea dinastica di <strong>Luigi Filippo<\/strong>, Re dei Francesi, fu bruscamente interrotta nel 1842 con la morte del figlio <strong>Ferdinando Filippo d\u2019Orleans<\/strong> (1810-1842) in un tragico incidente. Quando il conducente perse il controllo della carrozza su cui viaggiava si gett\u00f2 fuori, ma sbatt\u00e8 la testa sul marciapiede e mor\u00ec. In occasione del battesimo del figlio <strong>Luigi Filippo Alberto d\u2019Orleans<\/strong> conte di Parigi (1838-1894) la citt\u00e0 volle offrire una spada.<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-15568\" src=\"https:\/\/diario.ansuini.com\/wp-content\/uploads\/2025\/01\/Foto-3-Il-conte-di-Parigi-235x300.png\" alt=\"\" width=\"434\" height=\"554\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2025\/01\/Foto-3-Il-conte-di-Parigi-235x300.png 235w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2025\/01\/Foto-3-Il-conte-di-Parigi.png 635w\" sizes=\"(max-width: 434px) 100vw, 434px\" \/>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <span style=\"font-size: 13px;\">(Il conte di Parigi)<\/span><\/p>\n<p>La costruzione di questa spada fece all\u2019epoca un grande rumore. Furono chiamati per il lavoro gli artisti pi\u00f9 importanti. Lo scultore<strong> Klagmann<\/strong> ne fece il modello, <strong>Froment-Meurice<\/strong> cur\u00f2 la direzione generale del lavoro. Il gioielliere <strong>Fossin <\/strong>ebbe l\u2019incarico di eseguire l\u2019impugnatura e la guardia, anche se poi fu il suo capo laboratorio <strong>Morel<\/strong> a fare il lavoro. L\u2019armaiolo del Re <strong>Le Page<\/strong> fece le parti di sua competenza. La spada cost\u00f2 50.000 franchi.<\/p>\n<p>Per comprendere quanto l\u2019opera di<strong> Morel<\/strong> fosse importante si consideri che, quando poco tempo prima della data improrogabile della consegna, accadde un grave incidente di produzione, il Prefetto della Senna, conte <strong>Rambuteau<\/strong>, che aveva commissionato l\u2019opera, si precipit\u00f2 nell\u2019atelier.\u00a0 Le confuse spiegazioni di <strong>Fossin<\/strong> per rimediare al disastro lo convinsero a parlare direttamente con <strong>Morel<\/strong> che risolse il problema. Il Conte gli fu talmente grato che, quando la spada fu consegnata, fece avere a Morel una gratificazione di 500 franchi.<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-15572\" src=\"https:\/\/diario.ansuini.com\/wp-content\/uploads\/2025\/01\/Foto-4-senza-titolo-300x220.png\" alt=\"\" width=\"632\" height=\"463\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2025\/01\/Foto-4-senza-titolo-300x220.png 300w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2025\/01\/Foto-4-senza-titolo.png 643w\" sizes=\"(max-width: 632px) 100vw, 632px\" \/><\/p>\n<p>Durante la fabbricazione della spada <strong>Klagmann<\/strong> si rese conto della bravura di <strong>Morel<\/strong> e lo segnal\u00f2 a<strong> Duponchel<\/strong> che nel 1842 forn\u00ec al suo futuro associato i capitali per mettersi in proprio. La nuova ditta apr\u00ec poi al 39 della Rue St Augustin con la denominazione di <strong>Morel e C.<\/strong><\/p>\n<p>La spada \u00e8 un capolavoro. Sull\u2019impugnatura delle figure d\u2019oro rappresentano l\u2019una la prudenza e l\u2019altra la forza. A met\u00e0 della coccia un bambino (il giovane principe) sta sul vascello simbolo della citt\u00e0 di Parigi. Sul davanti della guardia vi \u00e8 un gallo gallico e tre pietre preziose un rubino, uno zaffiro ed un diamante rappresentanti i colori della bandiera francese.<\/p>\n<p>La corona in oro del principe reale retta da quattro piccoli geni forma il pomo e la guardia termina con un drago. Le armi del principe sono incise e smaltate. Sotto l\u2019impugnatura e sulla lama si trova questa incisione \u201cAu Comte de Paris sa ville natale 24 aout 1838\u201d e sul retro \u201cURBS DEDIT PATRIAE PROSIT\u201d. Cominciata nel 1838 la spada non fu terminata che nel maggio del 1841.<\/p>\n<p>La spada fu donata al <strong>museo Carnavalet<\/strong> dal Duca Filippo d\u2019Orleans il 1\u00b0 gennaio del 1922.<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-15575\" src=\"https:\/\/diario.ansuini.com\/wp-content\/uploads\/2025\/01\/Foto-5-Senza-titolo-alla-fine-del-testo-259x300.jpg\" alt=\"\" width=\"492\" height=\"570\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2025\/01\/Foto-5-Senza-titolo-alla-fine-del-testo-259x300.jpg 259w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2025\/01\/Foto-5-Senza-titolo-alla-fine-del-testo.jpg 800w\" sizes=\"(max-width: 492px) 100vw, 492px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PROF. SERGIO ANSUINI|ROMA 2 FEBBRAIO 2025 Jean Valentin Morel (1794-1860) la cui famiglia \u201cMaurel\u201d era emigrata in Francia dall\u2019Italia, \u00e8 stato un orafo francese conosciuto per la bellezza dei suoi gioielli ed argenti. Lavor\u00f2 durante la monarchia di Luglio, poi in Inghilterra divenne fornitore ufficiale della Regina Vittoria e di nuovo in Francia ottenne da [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":15580,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[86],"tags":[],"class_list":["post-15560","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-senza-categoria-it"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>IL GIOIELLIERE MOREL E LA SPADA DEL CONTE DI PARIGI - DIARIO - ARTE E CULTURA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.diariomagazine.com\/?p=15560\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"IL GIOIELLIERE MOREL E LA SPADA DEL CONTE DI PARIGI - DIARIO - ARTE E CULTURA\" \/>\n<meta property=\"og:description\" content=\"PROF. 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