{"id":14711,"date":"2023-01-29T01:00:48","date_gmt":"2023-01-29T00:00:48","guid":{"rendered":"https:\/\/diario.ansuini.com\/?p=14711"},"modified":"2023-08-04T11:18:44","modified_gmt":"2023-08-04T09:18:44","slug":"i-grandi-gioiellieri-jean-fouquet-e-l-art-deco","status":"publish","type":"post","link":"https:\/\/www.diariomagazine.com\/?p=14711","title":{"rendered":"I GRANDI GIOIELLIERI, JEAN FOUQUET E L&#8217; ART DECO"},"content":{"rendered":"<p><strong>JEAN<\/strong> <strong>FOUQUET<\/strong> (1899-1984) \u00e8 nipote del gioielliere Alphonse <strong>Fouquet<\/strong> e figlio dell\u2019ancor pi\u00f9 grande gioielliere <strong>George<\/strong> che fu \u00a0al centro della vita artistica e sociale <strong>dell\u2019Art<\/strong> <strong>Nouveau<\/strong>.<\/p>\n<p>Inizi\u00f2 a lavorare nell\u2019atelier di famiglia nel 1910; spirito ribelle, si dedic\u00f2 agli studi letterali e scrisse romanzi polizieschi.<\/p>\n<p>Attratto, in contrapposizione al lusso dell\u2019ambiente in cui viveva ed era nato, dall\u2019estrema sinistra comunista e rivoluzionaria coltiv\u00f2 amicizie della stessa ideologia come con \u00a0il poeta e scrittore <strong>Louis Aragon<\/strong>, fondatore del movimento <strong>surrealista<\/strong>, membro dell\u2019Academie Goncourt e del Partito Comunista Francese , con \u00a0il poeta <strong>Paul Elouard<\/strong> e l\u2019architetto, pittore e designer <strong>Le<\/strong> <strong>Corbusier<\/strong>.<\/p>\n<p>Fu Jean che <strong>all\u2019Associazione<\/strong> degli <strong>Scrittori<\/strong> ed <strong>Artisti<\/strong> <strong>Rivoluzionari<\/strong> dove partecipava con l\u2019amica Charlotte <strong>Perriand<\/strong> (architetta che pu\u00f2 essere considerata tra i fondatori del design contemporaneo) la present\u00f2 al grande architetto e da cui nacque una importante collaborazione. Al ballo del <strong>Fronte<\/strong> <strong>Popolare<\/strong> nel 1935 incontr\u00f2 <strong>Madeleine<\/strong>, impiegata di <strong>Patou<\/strong>, che diverr\u00e0 sua moglie.<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-14702\" src=\"https:\/\/diario.ansuini.com\/wp-content\/uploads\/2023\/01\/FOTO-2-297x300.jpg\" alt=\"\" width=\"804\" height=\"812\" srcset=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2023\/01\/FOTO-2-297x300.jpg 297w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2023\/01\/FOTO-2-1014x1024.jpg 1014w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2023\/01\/FOTO-2-150x150.jpg 150w, https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2023\/01\/FOTO-2.jpg 1584w\" sizes=\"(max-width: 804px) 100vw, 804px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Jean<\/strong> <strong>Fouquet<\/strong>, parallelamente alla sua attivit\u00e0 letteraria e di impegno politico sociale crea mirabili gioielli. Nel <strong>1925<\/strong> vince un premio\u00a0 <strong>all\u2019Esposizione<\/strong> delle <strong>arti<\/strong> <strong>Decorative<\/strong> ed <strong>Industriali<\/strong>. \u00a0Di quell\u2019anno \u00e8 la creazione di una collana in oro ed argento con un\u2019acqua marina taglio smeraldo firmata <strong>Jean<\/strong> Fouquet e corredata da un astuccio <strong>George<\/strong> Fouquet e da una fotografia firmata dal padre.\u00a0 Il collier nel <strong>2021<\/strong> ha realizzato in asta \u00a0il prezzo di <strong>980<\/strong>.<strong>000<\/strong> euro<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-14704\" src=\"https:\/\/diario.ansuini.com\/wp-content\/uploads\/2023\/01\/FOTO3.jpg\" alt=\"\" width=\"809\" height=\"984\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>dal <strong>1926<\/strong> al <strong>1928<\/strong> espone al <strong>Salone<\/strong> delle <strong>Arti<\/strong> <strong>Decorative<\/strong>. La crisi del <strong>\u201929<\/strong>, ma ancora di pi\u00f9 la liquidazione della Banque Nationale du Credit e del Comptoir \u00a0<strong>Lyon<\/strong> <strong>Aleman<\/strong> (del comparto dei metalli preziosi) \u00a0port\u00f2 nel <strong>1936<\/strong> la Maison a chiudere i battenti.<\/p>\n<p>La chiusura della Maison non impedi a Jean <strong>Fouquet<\/strong> di progettare nuovi gioielli realizzati poi da altri laboratori tra i quali quello di Louis <strong>Fortey<\/strong>, antico collaboratore della Maison.<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-14705\" src=\"https:\/\/diario.ansuini.com\/wp-content\/uploads\/2023\/01\/FOTO4.jpg\" alt=\"\" width=\"805\" height=\"558\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Dopo la Seconda guerra mondiale prosegu\u00ec la sua attivit\u00e0 ed <strong>all\u2019Esposizione<\/strong> <strong>Universale<\/strong> di <strong>Bruxelles<\/strong> del <strong>1958<\/strong> ricevette una medaglia d\u2019oro per le sue creazioni.<\/p>\n<p>Nel <strong>1960<\/strong> cessa definitivamente la creazione di gioielli e muore nel <strong>1984<\/strong> dopo aver offerto i suoi archivi al <strong>Museo<\/strong> delle <strong>Arti<\/strong> <strong>Decorative<\/strong> di Parigi.<\/p>\n<p><strong>Jean<\/strong> <strong>Fouquet<\/strong> rompe con lo stile <strong>liberty<\/strong> della Maison e rifiutando il culto dell\u2019arte per l\u2019arte \u00e8 vicino al <strong>Costruttivismo<\/strong>, al <strong>Cubismo<\/strong> ed al <strong>Futurismo<\/strong>. I suoi gioielli sono <strong>d\u2019avanguardia<\/strong> con materiali inusuali come l\u2019ebano, l\u2019acciaio cromato, l\u2019oro grigio e l\u2019argento \u201c <em>Bisogna<\/em> <em>lasciare<\/em> a <em>quelli<\/em> <em>che<\/em> <em>vogliono<\/em> <em>mostrare<\/em> <em>una<\/em> <em>nuova<\/em> <em>fortuna<\/em> il <em>cattivo<\/em> <em>gusto<\/em> di <em>ostentare<\/em> la <em>nuova<\/em> <em>ricchezza<\/em>. <em>Il<\/em> <em>vero<\/em> <em>amatore<\/em> <em>comprende<\/em> <em>tutto<\/em> il <em>piacere<\/em> di <em>avere<\/em> <em>un<\/em> <em>oggetto<\/em> <em>che<\/em> <em>riflette<\/em> <em>una<\/em> <em>ricerca<\/em> <em>ed<\/em> \u00a0<em>una<\/em> <em>creazione<\/em> <em>qualunque<\/em> <em>sia<\/em> il <em>valore<\/em> <em>delle<\/em> <em>pietre<\/em> <em>che<\/em> lo <em>compongono<\/em>. Il gioiello <em>non<\/em> <em>deve<\/em> <em>essere<\/em> <em>la<\/em> sola <em>rappresentazione<\/em> <em>di<\/em> <em>un<\/em> <em>numero<\/em> <em>piu\u2019<\/em> o <em>meno<\/em> <em>elevato<\/em> <em>di<\/em> <em>biglietti<\/em> <em>di<\/em> <em>banca<\/em>\u201d<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-14706\" src=\"https:\/\/diario.ansuini.com\/wp-content\/uploads\/2023\/01\/FOTO6.jpg\" alt=\"\" width=\"800\" height=\"1020\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Lo stile \u00e8 molto semplice con forme geometriche come il <strong>triangolo<\/strong> la <strong>piramide<\/strong> ed il <strong>semicerchio<\/strong>. Superfici piane vengono alternate con altre laccate e vengono utilizzate grosse pietre come le giade e le acque marine. La contrapposizione di elementi geometrici con colori forti ottiene un equilibrio armonioso.<\/p>\n<p><strong>Jean<\/strong> <strong>Fouquet<\/strong> difensore dell\u2019estetica contemporanea non solo prende parte <strong>all\u2019Union<\/strong> des Artistes <strong>Modern<\/strong>, ma ne \u00e8 a lungo segretario.<\/p>\n<p>La caratteristica della vita \u00e8 la <strong>Velocit\u00e0<\/strong>. Bisogna che il gioiello sia immediatamente compreso. Quindi deve essere di linee semplici, depurato da sentimentalismi e da ogni dettaglio superfluo. Deve avere come punto di partenza un principio di costruzione dove si manifesta il ritmo armonico delle masse e dei colori.<\/p>\n<p>Il gioiello non deve essere la rappresentazione di una firma aziendale per la ripetuta uniformit\u00e0 delle montature, ma al contrario deve avere una impronta personale. Le donne non possono portare tutte indifferentemente lo stesso gioiello. Questo deve essere adattato alla singola persona, alla carnagione, all\u2019atmosfera in cui la donna si muove.<\/p>\n<p>La guerra opera una cesura con il tempo precedente, le forme strettamente geometriche cedono il passo a forme arrotondate e Jean <strong>Fouquet<\/strong> si adatta ai nuovi stili, senza per\u00f2 avere piu\u2019 la verve creativa di un tempo.<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-14703\" src=\"https:\/\/diario.ansuini.com\/wp-content\/uploads\/2023\/01\/FOTO-5.jpg\" alt=\"\" width=\"807\" height=\"1019\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>JEAN FOUQUET (1899-1984) \u00e8 nipote del gioielliere Alphonse Fouquet e figlio dell\u2019ancor pi\u00f9 grande gioielliere George che fu \u00a0al centro della vita artistica e sociale dell\u2019Art Nouveau. Inizi\u00f2 a lavorare nell\u2019atelier di famiglia nel 1910; spirito ribelle, si dedic\u00f2 agli studi letterali e scrisse romanzi polizieschi. Attratto, in contrapposizione al lusso dell\u2019ambiente in cui viveva [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":14701,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[86],"tags":[],"class_list":["post-14711","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-senza-categoria-it"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>I GRANDI GIOIELLIERI, JEAN FOUQUET E L&#039; ART DECO - DIARIO - ARTE E CULTURA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.diariomagazine.com\/?p=14711\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"I GRANDI GIOIELLIERI, JEAN FOUQUET E L&#039; ART DECO - DIARIO - ARTE E CULTURA\" \/>\n<meta property=\"og:description\" content=\"JEAN FOUQUET (1899-1984) \u00e8 nipote del gioielliere Alphonse Fouquet e figlio dell\u2019ancor pi\u00f9 grande gioielliere George che fu \u00a0al centro della vita artistica e sociale dell\u2019Art Nouveau. 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