{"id":14436,"date":"2022-05-22T16:27:25","date_gmt":"2022-05-22T14:27:25","guid":{"rendered":"https:\/\/diario.ansuini.com\/?p=14436"},"modified":"2022-10-13T16:35:38","modified_gmt":"2022-10-13T14:35:38","slug":"la-pittura-piu-pura-possibile","status":"publish","type":"post","link":"https:\/\/www.diariomagazine.com\/?p=14436","title":{"rendered":"LA PITTURA PIU\u2019 PURA POSSIBILE"},"content":{"rendered":"

DOTT. ALBERTO ROMANELLI | 22 MAGGIO 2022 | ROMA<\/strong><\/span><\/p>\n

Un artista italiano amico di\u00a0Michel Tapie<\/strong>\u00a0\u2013 uno dei pi\u00f9 importanti teorici dell\u2019Arte informale\u00a0<\/strong>\u2013 e che da questi viene inserito nel 1958 all\u2019interno dell\u2019\u00a0International Festival Osaka-Tokyo<\/strong>\u00a0con il gruppo Gutai.<\/p>\n

Un pittore friulano che il padre del\u00a0Nouveau R\u00e9alisme<\/em>,\u00a0Pierre Restany<\/strong>, avvicina sul finire degli anni \u201950 alla\u00a0Jeune Ecole de Paris.<\/em><\/p>\n

Una ricerca artistica a proposito della quale\u00a0Giulio Carlo Argan<\/strong>\u00a0parla di \u201cpittura pi\u00f9 pura possibile<\/em>\u201d.<\/p>\n

Di chi hanno parlato voc\u00ec cos\u00ec importanti della critica artistica del \u2018900?<\/strong><\/p>\n

Nato a Pordenone,\u00a0Luigi Boille<\/strong>\u00a0(1926-2015) si trasferisce ben presto a Roma, dove si diploma in Pittura all\u2019Accademia di Belle Arti e dove si laurea in Architettura nel 1950; dopo un breve soggiorno in Olanda, l\u2019artista si stabilisce fra il 1951 e il 1965 a Parigi, dove ha modo di entrare in contatto con tutte le correnti artistiche pi\u00f9 all\u2019avanguardia che proprio in quegli anni animano la capitale francese.<\/p>\n

Nel tempo sono innumerevoli le esposizioni tenute a livello nazionale e internazionale, sia personali che collettive; tra le pi\u00f9 prestigiose sicuramente troviamo quella del 1964 grazie alla quale, su invito di\u00a0Lawrence Alloway<\/strong>\u00a0\u2013 il critico inglese che proprio in quegli anni conia il termine Pop Art \u2013 partecipa con\u00a0Lucio Fontana<\/strong>,\u00a0Enrico Castellani,<\/strong>Giuseppe Capogrossi<\/strong>\u00a0al Guggenheim International Award di New York in rappresentanza dell\u2019Italia.<\/p>\n

Tornato a Roma, segna nel 1966 con un nuovo successo la sua carriera artistica: quell\u2019anno, infatti, lo vede presente alla XXXIII Biennale di Venezia con una sala interamente a lui riservata.<\/p>\n

\"\"<\/figure>\n

(\u00a0<\/strong>LOTTO 83:Luigi Boille (1926-2015) Empatia di luce\/Blu Madreperla (1986)<\/a>\u00a0)<\/p>\n

Ci sono tematiche ricorrenti all\u2019interno della sua produzione artistica?<\/strong><\/p>\n

Proprio i titoli delle sei opere esposte in quell\u2019occasione cos\u00ec prestigiosa ci dicono molto della sua poetica:\u00a0Spazio Spirituale<\/em>,\u00a0Natura Solare<\/em>,\u00a0Risonanza Interiore<\/em>,\u00a0Spazio Immaginario<\/em>\u00a0e\u00a0Profilo di Luce<\/em>\u00a0ci parlano di una poetica legata ai concetti dell\u2019Astrattismo<\/strong>\u00a0e della\u00a0Pittura Informale<\/strong>, tipici s\u00ec di quegli anni, ma rielaborati in una chiave decisamente personale e profondamente mentale, raffinata.<\/p>\n

Nelle sue opere il gesto pittorico e il segno lasciato arrivano a fondersi con immediatezza sulla tela e sembrano tradurre in modo vibrante l\u2019interiorit\u00e0 dell\u2019artista<\/strong>.<\/p>\n

Opere come\u00a0Empatia di luce\/Blu Madreperla<\/em><\/strong>\u00a0e\u00a0Centralit\u00e0\/Blu Iridescente<\/em><\/strong>\u00a0,- inserite nella\u00a0prossima Asta di Fine Art, provenienti da una raffinata\u00a0 collezione privata\u00a0\u2013\u00a0 rappresentano perfettamente un\u2019importante periodo della produzione artistica di Luigi Boille;\u00a0 un pittore che merita certamente un\u2019operazione di riscoperta critica viste le altissime vette raggiunte nel corso della sua carriera.<\/p>\n

Sulla superficie vibrante di queste tele, le pennellate corpose si addensano in prossimit\u00e0 del centro dell\u2019opera: una fitta tessitura cromatica ospita nel suo mezzo una sorta di nebulosa, di\u00a0ammasso di natura celeste<\/strong>.<\/p>\n

L\u2019amico e critico Restany, scrivendo ancora nel 1997 delle opere di Boille, parlava, appunto, di \u201cfiocchi di luce\u201d<\/em>, di \u201cricami di stelle\u201d; n<\/em>ella sua opera la forma \u00e8 solo suggerita, la presenza \u00e8 eterea, spirituale: \u00e8 cos\u00ec che l\u2019artista raggiunge, ripetendo le parole di Argan, la\u00a0pittura pura.<\/strong><\/p>\n

\"\"<\/figure>\n

(\u00a0<\/strong>LOTTO 84:Luigi Boille (1926), Centralit\u00e0\/Blu Iridescente, 1984<\/a>\u00a0)<\/p>\n","protected":false},"excerpt":{"rendered":"

DOTT. ALBERTO ROMANELLI | 22 MAGGIO 2022 | ROMA Un artista italiano amico di\u00a0Michel Tapie\u00a0\u2013 uno dei pi\u00f9 importanti teorici dell\u2019Arte informale\u00a0\u2013 e che da questi viene inserito nel 1958 all\u2019interno dell\u2019\u00a0International Festival Osaka-Tokyo\u00a0con il gruppo Gutai. Un pittore friulano che il padre del\u00a0Nouveau R\u00e9alisme,\u00a0Pierre Restany, avvicina sul finire degli anni \u201950 alla\u00a0Jeune Ecole de […]<\/p>\n","protected":false},"author":2,"featured_media":14437,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[86],"tags":[140],"class_list":["post-14436","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-senza-categoria-it","tag-art"],"yoast_head":"\nLA PITTURA PIU\u2019 PURA POSSIBILE - DIARIO - ARTE E CULTURA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.diariomagazine.com\/?p=14436\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LA PITTURA PIU\u2019 PURA POSSIBILE - DIARIO - ARTE E CULTURA\" \/>\n<meta property=\"og:description\" content=\"DOTT. ALBERTO ROMANELLI | 22 MAGGIO 2022 | ROMA Un artista italiano amico di\u00a0Michel Tapie\u00a0\u2013 uno dei pi\u00f9 importanti teorici dell\u2019Arte informale\u00a0\u2013 e che da questi viene inserito nel 1958 all\u2019interno dell\u2019\u00a0International Festival Osaka-Tokyo\u00a0con il gruppo Gutai. Un pittore friulano che il padre del\u00a0Nouveau R\u00e9alisme,\u00a0Pierre Restany, avvicina sul finire degli anni \u201950 alla\u00a0Jeune Ecole de […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.diariomagazine.com\/?p=14436\" \/>\n<meta property=\"og:site_name\" content=\"DIARIO - ARTE E CULTURA\" \/>\n<meta property=\"article:published_time\" content=\"2022-05-22T14:27:25+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-10-13T14:35:38+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.diariomagazine.com\/wp-content\/uploads\/2022\/10\/040fbcff-7b67-dfc4-0e19-35e7f85ee8df.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1448\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Redazione\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Redazione\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.diariomagazine.com\\\/?p=14436#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.diariomagazine.com\\\/?p=14436\"},\"author\":{\"name\":\"Redazione\",\"@id\":\"https:\\\/\\\/www.diariomagazine.com\\\/#\\\/schema\\\/person\\\/d3579397a1149c7462f88b83cb19bd8d\"},\"headline\":\"LA PITTURA PIU\u2019 PURA POSSIBILE\",\"datePublished\":\"2022-05-22T14:27:25+00:00\",\"dateModified\":\"2022-10-13T14:35:38+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.diariomagazine.com\\\/?p=14436\"},\"wordCount\":503,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/www.diariomagazine.com\\\/?p=14436#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.diariomagazine.com\\\/wp-content\\\/uploads\\\/2022\\\/10\\\/040fbcff-7b67-dfc4-0e19-35e7f85ee8df.jpg\",\"keywords\":[\"#art\"],\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.diariomagazine.com\\\/?p=14436#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.diariomagazine.com\\\/?p=14436\",\"url\":\"https:\\\/\\\/www.diariomagazine.com\\\/?p=14436\",\"name\":\"LA PITTURA PIU\u2019 PURA POSSIBILE - 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